BLUTARSKI: ZERO POINT ZERO
As our final episode of NO RESERVATIONS approaches, I’ve been asked to write a top ten list of personal favorites. That’s hard to do. It’s been a mixed bag—and deliberately so. Travel and food shows necessarily tell more or less the same story: somebody goes someplace, eats and drinks a lot of stuff, comes to some kind of conclusion (rightly or wrongly) then goes home. My partners and I—a rotating band of cinematographers, producers, editors and post production people—have worked very hard over the years to mess with, expand, undermine and subvert that basic narrative and the conventions that go with it. Sometimes we succeeded.
In a 140 episodes of NO RESERVATIONS, there have certainly been shows that I regard as failures. Some, like PUERTO RICO, were entirely our fault—where through bad choices, inadequate preparation, sheer lack of understanding of our subject, we ended up giving short shrift to a place that deserved better. GREECE was a disappointment. CHARLESTON overlooked the amazing Sean Brock, probably the most important (then still emerging) phenomenon in the South—who was, unforgivably, literally right under our noises during the whole shoot.
The weak SOUTH PACIFIC and MARQUESAS show was the result of pure bad luck. One scene after another went by without anything useful or compelling recorded. One day after another passed with each intended scene turning out to be something other than what we’d hoped. Two full days where nothing worked. That we were able to cobble together shows at all in cases like these was always a triumph of great camera work and great editing (technique) over content. Sometimes it was a close run thing.
Responsibility for some failures rested entirely on me. They sucked because I sucked. BERLIN should have been a good show: great producer, great shooters, great fixers, great city. But for no good reason at all, I just wasn’t “into it.” And the show reflected my unhappiness and my unwillingness at the time to even try. The disastrous AT THE TABLE—a lunatic attempt at a one-off talk show format—was an absolute shit-show. I’m obviously no good at a talk show format—and clearly shouldn’t have tried. Bad idea. Wrong host. Bad show. When you let down a lot of talented people who work their asses off to make you look good—there’s a price. In my case it was appropriately universal revulsion.
Some disastrous shoots, through the sheer weight of misadventure turned out, like SICILY, to be good shows. Though not in the way we intended. The scenes that were supposed to be “great” ended badly—but the ones for which we had low expectations (the caper farmers in Pantelleria) became magically real, spontaneous and fun. ICELAND was certainly improved rather than hurt by running into a blinding blizzard—and a general overlay of depression and darkness. A near life – ending rollover on an ATV in NEW ZEALAND, however uncomfortable for me, became instant comedy gold.
Maybe the best single example of this was the ROMANIA show, where absolutely everything was ****ed up beyond all hope or recognition: wrong fixer (the inexplicably addled Zamir), unfriendly populace, officials looking for backhanders, and guides with other agendas who did their best (in the hope of portraying their country in a desirable light) to ensure that absolutely every genuine moment was quickly smothered under a thick scrim of artificiality, falsehood and staginess. It was a nightmare to shoot. An utter failure on all our parts—and yet it became a timeless classic of Travel Gone Wrong—unintentionally hilarious. It may have made all of us Public Enemies in Romania (and the subject of scandal and speculation in their national press)—and it may have been terribly unfair to the country and to the many Romanian expats who tuned in, looking to see something beautiful of their beloved homeland…
But it was an accurately gonzo—if unflattering– account of what it’s like to make an utter failure of a show, a masterpiece of incompetence on our part—and misguided good (and bad) intentions on the part of some of our hosts. It was at the same time our greatest failure as professional travel and food television producers—and our greatest success as technicians—and absurdists. We might never be able to repay the good people of Romania for our offenses against their national pride; but no small number of them recognized at least the worst of their country. I can assure you, by the way, that what we DIDN’T and could NEVER have included in the show, would have been even more painfully hilarious. To this day, in the hours after a shooting day, veteran crew members sit in hotel lobbies around the world, and tell the young ones about what really happened there.
But, of course, there were bright spots too. Shows of which I will always be proud. Favorites, both personal and professional where everything (or most things) came together.
HONG KONG, particularly the scene where a third generation noodle maker practices his craft, rocking painfully and disfiguringly on his bamboo pole under the faded photos of his parents encompassed everything I believe to be good and true about people who choose to make food the very best they can. It was a beautifully shot and edited sequence– one of our very best. If our show is principally in the business of celebrating cooks—wherever they may cook—and in whatever circumstances—then this was as good an example of our work as we could ask for.
VENICE was where we were really hitting a golden period for cinematography I think. Using film lenses and adhering to a stylebook shamelessly lifted from works like DON’T LOOK NOW and COMFORT OF STRANGERS, we’d do things like wake up very early in the morning to shoot in Piazza San Marco—intending to make the usually crowded Venice look empty and haunted. It’s an example of a show that came out just as we’d planned, looked and sounded like we wanted it to , and it also had the advantage of being filled with great characters and food. A lot of attention was paid to color balances (in scenes like the painter’s studio) and to the music and it paid off big time.
I’m happy with all our VIET NAM shows—probably because I’m always so ludicrously happy to be there. I could just watch the B-roll from those shows all day. Everybody who works on the show seems to feel the same way. It’s a good place to work, a good place to eat. A good place to be.
MONTANA. Which opens with the great American author and poet, Jim Harrison reading from his work would have been a proud achievement for that alone: Jim Harrison is in it. That’s enough. But it’s also where I started to look at those parts of America so different than my own—cowboy country, gun country, red-state, Palin bumper sticker America , with a genuine affection I’d previously only felt for Vietnamese and South Americans and Europeans. Like the Asian rice farmers and ex-guerillas I tend to over-romanticize , the cattle ranchers and hunters I met there, though as far from me on the political spectrum as could be, were caring, generous and proud too. I started to feel—and hope I captured—the beauty of their lives –and what a lot of us who live in the bubble of big city, East Coast America are missing—not just about these places, but the people who live there. .
SARDINIA was a risky show, because it was so personal, and I had a whole new Italian/Sardinian family looking over my shoulder—and more perilously—I had chosen to include my wife. I anticipated some angry blowback from fans. But my wife’s father’s family in the mountain towns of that incredibly beautiful island were the best “fixers” any one could have hoped for. The cinematography was incredible. And the editors, in spite of the fact that I was sitting in their laps for much of the cut and making their lives miserable, responded with a beautiful and heartfelt love letter to what is for most people an unfamiliar culture. Warm and fuzzy and family friendly was NOT what fans of the show had been led to expect of me. But I was grateful for the opportunity to be a Dad on camera. It paid off in a good story and good show—and as an honest reflection of the facts.
ROME Is probably my favorite show of all of them. My proudest achievement. Why” Because it was so suicidally stupid. Because no one wanted it. Because everybody thought it was a bad idea to do a show in Rome—that most beautiful and colorful of cities—in black and white.
As a purely creative enterprise, we did it anyway, shamelessly and very painstakingly doing the exact opposite of what we had established we were good at: Instead of run and gun hand held cameras and fast editing, we shot stationary, with film lenses. Instead of no lighting and barely acceptable sound, we lit as if in a studio, made frequent use of subtitles. Instead of wearing whatever clothes were clean that day, I, for the first and only time, actually bought wardrobe. Shamelessly aping films like LA DOLCE VITA and L’AVENTURRA—which we were pretty sure few of our audience had ever seen, we tried to paint a nostalgic, romantic, heavily stylized ode to another side of Rome. It was the most self indulgent, deliberately reckless venture to date and it looks gorgeous. We fully expected to be pilloried for it. But we didn’t care. In the end, it was shocking to us that so many people ended up appreciating it. As a hand crafted labor of love, I think it stands alone, a testament to all the incredibly talented people who worked on it. It all started in a hotel lobby, with cameraman Zach Zamboni suggesting that he and his colleagues were “so damn good we can make food porn in black and white”. The question that always hung over the planning of every episode being, “What’s the most ****ed up thing we can do?”
EL BULLI . It was the most important restaurant in the world—in its last days. And the greatest culinary artist of this or last century, Ferran Adria, had agreed to open his life and his kitchen to us. So it was important to get it right. We threw everything we had at it. Every camera, every technical innovation—every creative idea we could come up with. We got the right guy—the best guy– Jose Andres—to come along and show us, through personal reminisces, what it all meant—and why it was important. We tried to show where the brothers Adria came from, give a sense of the relentless wind on the coast of Catalonia—and what effect that might have on a person, day after day, night after night in a (then) mostly empty restaurant in the middle of nowhere. And we captured a precise moment in history that will never happen again. Everybody who worked on the show felt enormous responsibility to our subjects—and brought their very best game. EL BULLI is gone. But the show we made depicts a Ferran, a menu, a never-to-happen-again establishment—as they were.
The pig slaughter and boucherie in the CAJUN COUNTRY show is a personal favorite. It starts with a prayer. And it’s a scene I’m most grateful to the network for—for leaving it alone. Pretty disturbing stuff to see a pig shot close-up to the brain. It’s ugly, and painful. But that’s what happens when you take a life for your dinner. And somebody, somewhere does—every time you order a pork chop. The beauty AND the ugliness of a meat we all love and take for granted was nicely delineated, I think—a savage slaughter, a lot of blood—and a community coming together, cooperating in an enterprise that was both joyful and a sacrament of sorts. It showed where dinner comes from—and what it requires—and also, what it can be. We always work extra hard whenever we shoot in New Orleans or Louisiana—to do right by them—as they have been egregiously failed by so many others. That’s always foremost in our minds when we visit. Also, we love the place ferociously.
CLEVELAND: Harvey Pekar. Harvey Pekar. We wanted to celebrate and step inside the life of Cleveland’s greatest chronicler in the style of AMERICAN SPLENDOR. It took a lot of work and pre-production to do that. But I’m very proud of the result. Not least because I believe so fervently that the late, great Pekar was a uniquely American, wonderful and important man whose life deserves celebrating and remembering. Ruhlman, Michael Symon, Marky Ramone and the entire extended Pekar family made it a very special hour , and in many ways, shows what we did best—cover ground nobody else does with genuine affection and respect for subject. We worked very closely with Pekar’s longtime artist Gary Dumm to be able to “step inside” frames of a graphic novel—and were lucky enough to arrive in Cleveland in the middle of a snowstorm, a factor that (in spite of what some local boosters may have thought) only highlighted the bittersweet, gorgeousness and faded grandiosity of that most beautiful of cities. My love for Cleveland is absolute. I may not love it for the reasons some might like—but I love it just the same. I am honored that Harvey, may he rest in peace, liked the show.
Our last in a series of HOLIDAY SPECIALS was a high watermark of sorts. It has always been my belief that the pursuit of excellence in television is impossible if one does not regularly seek to cause terror and confusion at one’s network. In this respect, the show was a smashing success—setting a new standard for unasked-for weirdness.
You can imagine how happy some at the network were to hear Andrew Zimmern and Adam Richman parodying themselves on a flickering television screen, while the network’s sweetheart, Samantha Brown, playing herself as a crazed, vengeful, alcoholic and homicidal shut-in, pumped a bullet into my leg (spraying blood on a stuffed kitten) between pouring schnapps into a bowl of Frooty Pebbles. Norah Jones sang about poop, the band ****ed Up sang Jingle Bells—the whole show was ugly, squalid and magnificent. Christopher Walken cooked octopus! We didn’t just bend the rules, we killed them dead—then went to the funeral and shot the mourners.
The notorious “Krampus segment”, censored by the network, went on to become a stand alone YouTube sensation. Do check it out.
The 2006 BEIRUT show obviously holds a special place in the memories of all who were involved. Like the war that broke out around us, it happened unexpectedly. Those of us trapped in that heartbreakingly troubled city never expected there to even be a show—but we kept shooting anyway, and the footage that was artfully put together afterwards told a story we are all very proud of. I learned—in a way I’d never had to learn before—how terrible, terrible things can happen to good people, sweeping up the good and the bad together. That experience changed those of us who were there. And it changed subsequent shows. We never, from that point on, forgot how arbitrary life and death can be, and how harsh life can be for the people we leave behind when we head safely home with our cameras. My daughter was conceived the day after I was evacuated from Beirut—a fact that has given me a lifelong love for the US Marine Corps—and connected me to that city (and this episode) in a special and very personal way.
It could be argued that for the last 8 or 9 years, Travel Channel has allowed me to make 140 wildly self indulgent home movies that only a few very close friends and directors of photography could be reasonably expected to enjoy. That it’s worked out for all of us remains a mystery for which I’m very grateful and proud.
I’m also grateful to the staggering line-up of chefs and cooks, the famous and the not at all, who’ve been kind enough to appear on the show over the years: I doubt any show has ever had such a line-up of talent. They all took time they did not have to let us see what it is they do—how—and to the extent that we were capable of explaining it: why.
See you all at the next rodeo.
- Anthony Bourdain
It doesn't seem possible that No Reservations is at its end. I wish someone would tell us what happened? Was it your decision or Travel Channel? You have one of the best shows on TV. I never miss it. You will be seriously missed. GREAT SHOW.
Tony and Crew…
Thanks for No Reservations. You have taken me places I know I'll never be able to go myself. You made watching TV enjoyable to me again and I will miss your show immensely. I now have a "bucket list" of foods I'd like to taste…on top of the list…sea urchins and gooey duck clams. I will watch tonight's show with relish and a tear in my eye.
Bravo…Norma, Connecticut
Thanks for a great ride from the early days with "snarky Vic/Vinny/Tony" to the new Cosby. Thank god you pulled the plug before you travelled to Mr. Roger's neighborhood…..LOL
To Tony & the entire NR crew–Thanks! You have taken me places I might never get to visit in person but now have an appreciation of their food & culture, plus you encouraged me to be more adventurous in my everyday food experiences! Will watch tonight with sadness but wish each of you the best for the future!
I have a tear in my eye. I am going to miss you so much. Thanks for showing us how the people live in all the places you have been. Nothing against Samantha but I don't care about the best hotels and what the rich people are doing. You showed us the good, bad, and the ugly. Thanks so much.
Have watched you since the beginning of A Cook's Tour. I'll be tuning in tonight. Thanks for everything.
I have been a fan since day one and always find the show top notch in part due to your open nature and laid back open thoughts. I have been lucky to travel around the globe more times than I can even hope to remember and those experiences were what open my eyes and palette to the wonders of extreme pleasure in food and drink.
Before that I was one of the most close minded people one could ever find on the planet, but when you live out of a suitcase for several years and as of the end of 1997 I had been in every country on the planet, even the few closed areas to westerners at the time and now not only enjoy, but demand my food never be "so-so" again. While it has made life somewhat a challenge today, I think the constant challenge to search out and find those "above the norm" places around me to be a never ending purpose in life.
I had the pleasure of traveling behind you in a few areas and putting you to the test and have yet to find any negative thoughts afterward. I hate to see the show end, but now you are doing the one thing I mastered years ago, managing those dreadful layovers and making the best out of them. I still have people that call or email to probe my thoughts and likes on the area they are headed to. I look forward to see if you end up in any of the places I called my home away from home.
I wish you the best of luck and clam winds and fair seas in your travels.
Dale Prevette
I said it in FB we like the same things: good food, like to cook and travel, 3 things I do a lot!!!
Wish you the best in life, you are so authentic, so fun and that's why your show was always so fun to watch!!!
We'll miss you so much!!!
Tony –
No Reservations was the single best reason to own a TV. Guess it goes in the dumpster after tonight.
Thanks for the great ride…and the snark…and the heart.
I just watched the Beirut show and it brought back memories and mixed feelings from my 1995 visit there. It was 3 years after the civil war ended and Syrians still occupied the mountains where my in-laws lived. One night a cousin took us to a place just north of the city and we had a feast. It was a good thing because sadly, for the next 3 weeks we subsisted on garlic saturated hummus and cold greasy lubi b'zayt and khubz. We had pizza at Pizza Hut in the city and in the mountains and both places put what tasted like hotdogs on the pizza instead of pepperoni. UGH! I had always heard what a wonderful place it was but I guess the war changed that. As an American, I found it ironic that I was the only person I knew there who could still cook.
Anthony–
I truly enjoyed taking that journey with you.
Thanks
Paul B.
NYC
I will miss Tony, every Monday ,this show was my escape. Guess I'll have to turn to drugs. Bye Tony! I will miss No Reservations, and will anxiously await any endeavor you take on in the future. CHEERS!
Dear Tony
I don't know if you read my folder of blog stories I gave you at the Medium Raw book signing in New York. I hope you did so that you know how much your shows have meant to me. They have enriched my life in many ways and as I look forward to the new show on CNN, which I think will be much more serious and journalistic. Possibly telling the stories of the real problems and the good people of the regions you visit. I am also very sad to see a big part of my life for the past decade or so gone forever. At least we have The Layover soon and the DVDs to watch over again. Thank you for taking me places I might never go to and for inspiring me to write and to try sweetbreads and mussels and squid cooked in it;s own ink. My life would be much more diminished without you and you fantastic crew. I envy you and admire you…even if you are a snarky a***ole sometimes. I wish you all the best in the future for you and your family.
Sincerely
Glen
It is very simple.
I eat better.
I cook better.
I travel better.
I live better.
I share better.
Thank you, Tony
Interestingly my favorite shows were Sardinia, Venice, Cajun Country, Beirut and Emilia Romagna. With the exception of Emilia all those other shows you seemed oddly out of place, but engaged. I always liked you in Asia but those shows really made me feel like I was learning something. I'll miss the series.
Hello Tony!!!
I've been out of the loop for the last few months and just found out today that No Reservations has concluded its final season. I am extremely sad and disapointed to hear this!!! I've tuely loved your show and watching you travel the world and give us your snarky New Yorker perspective on the people, the culture and the cuisine of all these far flung places.
It was right after finding out about this that I was able to watch the show about your aborted trip to Beirute. If this turns out to be the last time I ever see one of your programs I must say that I couldn't have picked a better one. Once again you produced a program that stands head and shoulders above every other travel series that's ever existed. While most people would never have shot that show, you had the good sense to understand that people need to see these things. That the world, while extrordinarilly beautiful and a joy to travel around isn't always a perfect place and that while the script may have drifted away from your intended goals it brought the concerns and the lives of ordinary people in a terrible situation to the millions of eyes that got to see your program. You tastefully captured the humanity of the people living there and their decency along with a bit of their history and even their cuisine while also demonstrating the horrors they were going through and showed it to the world. I consider this show and the one you did on another one of my favorite places, Laos, to be some of your finest and most important work.
I'm writing you from the balcony of my apartment overlooking the Gulf Of Thailand in the city of Pattaya. I moved here from New York just a few months ago. I came here because of you and one of your programs. I had been to Thaland several times since the late '80's, but decided to live here so that I could be close to my favorite places in the world, Bali and Java, Indonesia.
I was sitting at home a few years ago trying to decide where I wanted to go to on my next vacation. I received four weeks vacation every year from my company Amtrak, which I know is hardly your favorite mode of travel,(It's OK. We do have our problems.) where I worked as a train conductor for twenty years on the Northeast Corridor.
I had been using my vacations over the years to explore the world. I've been lucky enough to have visited about 26 countries during this time. I've camped in the Serengeti, climbed the Great Wall, traveled on the Siberian Express, sailed up the Nile, the Mekong and the Amazon and walked amongst the penguins in Antarctica as well as many other things. The world is incredibly beautiful!!!
That night I found myself watching your program on Indonesia and was really impressed by it. What made me decide to go there was your statement at the end of the show that if you could move away to a place that was completely different and truely away from it all, where you could live out the rest of your days it would be Indonesia. As soon as I heard you say that I immediately began making plans to go there. I'm happy to say that the country was everything you said it was and even more. I absolutely loved it there!!
Since then I've retired from Amtrak and began to seriously consider moving there. The only reason I didn't do it and the reason why I'm writing you from the Land Of Smiles instead is because of some health issues I have. They're not all that serious really, but the health care system here in the Kingdom is a whole lot better than it is in Indonesia. So that's why I'm here. However, since it's now a much shorter and cheaper plane ride from here than it was from New York, I'll be able to get there a whole lot more often. And who know? Maybe I'll throw my health concerns to the wind some day and take the plunge to finally live there. I'm sure that my future visits will only encourage me more into do it.
So thank you again for your wonderful series. Thank you again also for telling me about that wonderful dream land of Indonesia and providing me with the push I needed to make the move over here. I wish you all the luck in the world with all of your future endevours, your current show The Layover, which is also great, and someday somewhere I'd love to share a meal with you just like I enjoyed watching you do with so many different people around the world on your program.
Nice to see someone other than me that loves Loas! I've spent many many months in and around Vientiane and can't wait till I return for another few weeks. I have several friends that are ex-pats and they have chose to remain there and it's no wonder why.
Dale in North Carolina.
Hello Tony, Thanks for really being there – not at the phony resorts. I travel to do astronomy/telescope observing and astrophoto usually at remote national and state parks. Check out your local astronomy club when they have public telescope observing far away from city light pollution. Then wonder what kind of food we will find on the next planet! Good Luck, Bill
Fantastic journey.. it was a pleasure watching for the past eight seasons. Your raw and honest appreciation of food and people transcends the limit of thought. The ease with which you delivered your insane knowledge, casual style and quick wit will be greatly missed.
~Lynn
It's a magical world, Hobbes ol' buddy…
…let's go exploring!
Love, love, this show! I thank Big Tony for showing us all the places he and his crew experienced with honesty and creativity. I am especially touched at how we all have seen Tony's view of people and the world evolve through the years with humility yet not losing that funny snarky edge. And especially, thanks for showing us how different people from around the world come together at the table.
Thanks, Tony, for some great TV. Glad to see the Cleveland episode included in your favorites. It was definitely one of mine- Harvey Pekar was a unique guy w/ a huge heart. Your blog has always been some fun reading.
I've been truly amazed by the amount of alcohol you are able to consume in a day and still hold it together ( although on the last trip to SF you seemed right at the edge). Where did a guy like yourself develop that strange fascination with firearms?
Tony,
No Reservations was the only television I really cared to watch over the last 9 years. I've since been lucky to travel to many of the places you went to, and I had the chance to see, drink and eat at many of them as well as eating the people who were on the show as well. There will be a gap on my Monday evenings. Thank you Tony and crew!
Cheers!
I just rewatched the Beruit episode and I can honestly say that the editing that was done to patch together that obviously horrifying experience was simply amazing! That was the most honest and heartfelt television I've ever seen.
And I know a few Mr. Wolf's in those countries and have had the same experience before…..So I know how terrifying the uncertainty can be.
I will miss your show and thank you for being a bright spot on the wasteland that is cable television!
Selah
I am so lazy occasionally, despite the fact that i have been
reading your blog for sometime now I have not made a comment til now,
just wanted to say im loving it!
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